Gustave Doré (1832–1883)
Andromeda, c. 1869
Oil on canvas
height: 256.5 cm (100.9 in); width: 172.7 cm (67.9 in)
Private collection
In Greek mythology, Andromeda was the daughter of Cepheus and Cassiopeia, king and queen of the North African kingdom of Aethiopia (the Upper Nile region).
Paul Gustave Louis Christophe Doré (6 January 1832 – 23 January 1883) was a French artist, printmaker, illustrator and sculptor. Doré worked primarily with wood engraving.
Doré was born in Strasbourg on 6 January 1832. By age five, he was a prodigy troublemaker, playing pranks that were mature beyond his years. Seven years later, he began carving in cement. At the age of fifteen Doré began his career working as a caricaturist for the French paper Le Journal pour rire, and subsequently went on to win commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante.
In 1853, Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible. In 1856 he produced twelve folio-size illustrations of The Legend of The Wandering Jew.
Doré's illustrations for the Bible (1866) were a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street, London. Doré was mainly celebrated for his paintings in his day. His paintings remain world-renowned, but his woodcuts and engravings are where he really excelled as an artist with an individual vision.
Doré never married and, following the death of his father in 1849, he continued to live with his mother, illustrating books until his death in Paris following a short illness. The government of France made him a Chevalier de la Legion d'honneur in 1861. More on Gustave Doré
Théodore Chassériau (1819–1856)
Andromeda chained to the Rock by the Nereids, c. 1840
Oil on canvas
Height: 92 cm (36.2 ″); Width: 74 cm (29.1 ″)
Louvre Museum
Théodore Chassériau (September 20, 1819 – October 8,
1856) was a French Romantic painter noted for his portraits,
historical and religious paintings, allegorical murals, and Orientalist images
inspired by his travels to Algeria.
Chassériau
was born in El Limón, Samaná, in the Spanish colony of Santo Domingo (now the
Dominican Republic). In December 1820 the family left Santo Domingo for Paris,
where the young Chassériau soon showed precocious drawing skills. He was
accepted into the studio of Jean-Auguste-Dominique Ingres in 1830, at the age
of eleven, and became the favorite pupil of the great classicist, who regarded
him as his truest disciple.
After
Ingres left Paris in 1834 to become director of the French Academy in Rome,
Chassériau fell under the influence of Eugène Delacroix, whose brand of
painterly colorism was anathema to Ingres. Chassériau's art has often been
characterized as an attempt to reconcile the classicism of Ingres with the
romanticism of Delacroix. He first exhibited at the Paris Salon in 1836, and
was awarded a third-place medal in the category of history painting. In 1840
Chassériau travelled to Rome and met with Ingres, whose bitterness at the
direction his student's work was taking led to a decisive break.
In 1846
Chassériau made his first trip to Algeria. From sketches made on this and
subsequent trips he painted such subjects as Arab Chiefs Visiting Their Vassals
and Jewish Women on a Balcony...
After a period of ill health, exacerbated by his exhausting
work on commissions for murals to decorate the Churches of Saint-Roch and
Saint-Philippe-du-Roule, Chassériau died at the age of 37 in Paris, on October
8, 1856. More on
Théodore Chassériau
Edward Poynter (1836–1919)
Andromeda, c. 1869
Oil on canvas
Height: 49.5 cm (19.5 ″); Width: 33 cm (12.9 ″)
Juan Antonio Pérez Simón Collection
Her mother Cassiopeia boasted that her daughter was more beautiful than the Nereids, the nymph-daughters of the sea god Nereusand often seen accompanying Poseidon. To punish the queen for her arrogance, Poseidon, brother to Zeus and god of the sea, sent a sea monster named Cetus to ravage the coast of Aethiopia including the kingdom of the vain queen. The desperate king consulted the Oracle of Apollo, who announced that no respite would be found until the king sacrificed his daughter, Andromeda, to the monster. Stripped naked, she was chained to a rock on the coast.
Sir Edward John Poynter, 1st Baronet GCVO PRA
(20 March 1836 in Paris – 26 July 1919 in London) was an English painter, designer, and draughtsman
who served as President of the Royal Academy. Poynter was born in Paris, though
his parents returned to Britain soon after. He was educated at Brighton College
and Ipswich School, but left school early for reasons of ill health, spending
winters in Madeira and Rome. In 1853 he met Frederick Leighton in Rome, who
made a great impression on the 17-year-old Poynter. On his return to London he
studied at Leigh's academy in Newman Street and the Royal Academy Schools,
before going to Paris to study in the studio of the classicist painter Charles
Gleyre where James McNeill Whistler and George du Maurier were fellow-students.
He became best known for his large historical paintings. More on Sir Edward John Poynter
Rembrandt, (1606–1669)
Andromeda Chained to the Rocks, Circa 1630
Oil on panel
Height: 34 cm (13.3 ″); Width: 24.5 cm (9.6 ″)
Mauritshuis, The Hague, Netherlands
Perseus was returning from having slain the Gorgon Medusa. After he happened upon the chained Andromeda, he approached Cetus while invisible (for he was wearing Hades's helm), and killed the sea monster. He set Andromeda free, and married her in spite of her having been previously promised to her uncle Phineus. At the wedding a quarrel took place between the rivals and Phineus was turned to stone by the sight of the Gorgon's head. More on Andromeda
Rembrandt Harmenszoon van Rijn (15
July 1606 – 4 October 1669) was a Dutch painter and etcher. He is
generally considered one of the greatest painters and printmakers in European
art and the most important in Dutch history. His contributions to art came in a
period of great wealth and cultural achievement that historians call the Dutch
Golden Age when Dutch Golden Age painting dominated Europe, was extremely
prolific and innovative, and gave rise to important new genres in painting.
Having achieved youthful success as a portrait painter,
Rembrandt's later years were marked by personal tragedy and financial
hardships. Yet his etchings and paintings were popular throughout his lifetime,
his reputation as an artist remained high, and for twenty years he taught many
important Dutch painters. His self-portraits form a unique and intimate
biography, in which the artist surveyed himself without vanity and with the
utmost sincerity.
In his paintings and prints he exhibited knowledge of
classical iconography, which he molded to fit the requirements of his own
experience; thus, the depiction of a biblical scene was informed by Rembrandt's
knowledge of the specific text, his assimilation of classical composition, and
his observations of Amsterdam's Jewish population. Because of his empathy for
the human condition, he has been called "one of the great prophets of
civilization. More
on Rembrandt
Pierre MIGNARD
THE DELIVERANCE OF ANDROMEDA, c. 1679
Oil on Canvas
H. 1.89 m L. 2.47 m
Paris, Louvre Museum
The liberation of Andromeda is an exception in Mignard's work. It was commissioned by Louis II of Bourbon, known as Le Grand Condé, in 1676 for his castle of Chantilly.
Pierre Mignard (17 November 1612 – 30 May 1695), was a French painter known for his
religious and mythological scenes and portraits. He was a near-contemporary of
the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter,
life-long rivalry.
Pierre
Mignard was born at Troyes in 1612. He came from a family of artisans. He was
the younger brother of Nicolas, who became a painter and etcher. Mignard
trained in Bourges with the Mannerist painter Jean Boucher. He then studied for
a period in the studio of Simon Vouet. Mignard left for Rome in 1635 where he
would stay about 22 years.
In Rome he
painted religious commissions. He was particularly known for his many images of
the Madonna and Child. They were so popular that they were referred to as
"Mignardises." He also painted altarpieces. His compatriot Nicolas
Poussin hired Mignard to make copies of is works. He was also active as a
reproductive engraver making copies after Annibale Carracci. Mignard's
life-long interest in portrait painting was also developed at this time and he
painted portraits of subsequent popes, cardinals and prominent members of the
Italian nobility. He also travelled to Northern Italy where he visited Bologna,
Parma, Mantua, Florence and Venice.
His
reputation was such that he was summoned to Paris in 1657. In Paris he became a
popular portrait painter. He found favor with king Louis XIV who sat for many
portraits. Mignard became a rival of the leading French painter of that time
and first painter to the King, Charles Le Brun. He declined to enter the
Academy of which Le Brun was the head. Mignard also opposed the authority of
the Academy.
With the death of Le Brun in 1690, Mignard succeeded to all
the posts held by his opponent. He died in 1695 at Paris as he was about to
begin work on the cupola of the Invalides. More on Pierre Mignard
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